Nelson Composers Workshop 2012

Another Nelson Composers Workshop has come to an end. As always there was a mix of pieces restrained by convention, those off the rails with creative freedom and everything in between. I haven't been since 2006, when I was there as a student, so I was reminded what an inspiring and enjoyable few days it is and how good it is to catch up with composers and performers from around the country.

This year I was lucky enough to be a mentor to two composers, Hannah Bright and James Chih-Lin Tu, who wrote two great pieces. James is studying at Auckland University and Hannah at the NZ School of Music in Wellington - she is also a singer/songwriter, check out her EP here.

Blas Gonzales at the 2012 Nelson Composers Workshop

I also gave a talk during the morning seminars on advanced Sibelius techniques. I know composers of contemporary music can feel limited when using Sibelius to notate their music, so with this talk I introduced some techniques which will hopefully help - like aleatoric writing, creating graphic scores, using colour, contour graphs and woodwind fingerings, and creating custom symbols and noteheads.

During the workshop I made one word summaries of each piece, check them out below:

Grace Carpinter: Calm Glen Downie: Breathy Ben Powell: Suspicious Monique Farry: Unpredictable James Chih-Lin Tu: Diverse

Sudharsan: Relentless Phillipa Ullenberg: Epic Tom Jensen: Intense Xu Tang: Energy

Amos Mann: Exquisite Jun Kagaya: Classic Alex Campbell-Hunt: Fragmented David Taylor: Unique Alex Wolken: Frantic

Blas Gonzales: Moving Louise Webster: Beautiful Hannah Bright: Intriguing Dave Miller: Charming

Callum Blackmore: Colourful Andrew Leathwick: Creapy Andrej Nowicki: Jittery Catherine Sullivan: Dark Xander Perrot: Romantic

Ben Hoadley: Fun Reuben Jelleyman: Awkward Kerian Varaine: Refreshing Alex Taylor: Intriguing

String quartet in action at the 2012 Nelson Composers Workshop

It was such fun I may just have to go back next year, and so should you. Keep an eye out for entry forms appearing here early in 2013.

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Questions for a composer