'The Forest Room' reaches Auckland finals

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The 48Hours film-making weekend is always one to look forward to and this year we struck 'mystery' as our genre - good fun. Compared to previous years, the team was cut to only four crew and rightfully so one of those was a composer! This year we managed to make the Auckland finals and the guys picked up an award for best editing. Yay.

The film has very little dialogue and so I managed to create a single piece of music to last the whole film. Here's how it was looking in Logic:

With merely hours to compose the music, there's always things you wish you'd had time to do, but generally I'm reasonably pleased with the results. The goal was to keep an intensity throughout the film, matching a few key moments, but also to create an underscore which leaves enough room for the viewer to ponder their own mystery. Have a listen:

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Orchestrating 'Belief: The Possession of Janet Moses'

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APO brings it together!